Dr Caroline Wake
BA(Hons) MEd (Higher Education) PhD (UNSW)
Caroline Wake is Senior Lecturer in Theatre and Performance, a member of the Forced Migration Research Networkand associate of the .Her research focuses on the relationship between theatre and history: how theatre responds to and represents history and, conversely, how theatre’s own history is archived and recounted, especially in Australia. She has a particular interest in artists, genres, and organisations that have typically been excluded from Australian theatre history, including artists with refugee and asylum seeker backgrounds, genres such as theatres of the real, and organisations like , a Sydney-based establishment that has been at the forefront of contemporary art since the early 1980s.
She is the author of over 40 journal articles and book chapters, including an award-winning paper for . She is also the editor of three books— (Currency Press 2024, with Tania Cañas), (Routledge 2023, with Suzanne Little and Samid Suliman), and (Museum Tusculanum Press 2013, with Bryoni Trezise)—and seven journal issues, including a special issue on “” for Research in Drama Education (2018, with Emma Cox). In 2022, according to Stanford University’s citation analysis, she was ranked in —the only Australia-based researcher on the list. Non-traditional research outcomes include producing a for AusStage, the national performing arts database; working with the UNSW Library, National Library of Australia, and RealTime arts magazine to digitise RealTime's ; and honouring that same publication in a durational performance. She has also written over 50 theatre reviews for publications such as , , and , as well as two submissions to parliamentary committees, one of which she also appeared at in person.
Caroline is a passionate advocate for the arts and cultural sector, and often collaborates with industry. Three of her involve working with organisations like the National Institute of Dramatic Art, Performing Arts Heritage Network, Sydney Theatre Company, and the Arts Centre Melbourne. She also served on the Board of first as a regular member (2017-18) and then as Chair (2019-21). Caroline currently serves as an Associate Editor of , one of the discipline’s leading journals, as well as on the editorial board of Liverpool University Press’s series. She has also served as a Board Member of , the discipline’s peak body, and Editor of , an open-access, peer-reviewed journal devoted to contemporary theatre, performance and visual art in the Asia-Pacific.
- Publications
- Media
- Grants
- Awards
- Research Activities
- Engagement
- Teaching and Supervision
Since 2015, Caroline has secured over $1.4 million in grant funding.
External Grants
2018-22. Australian Research Council Linkage Project. iDesign:Reformulating Set Design Aesthetics via a Dialogical Model of Interactivity. CIs: Prof Dennis Del Favero, Prof, Maurice Pagnucco,Dr Caroline Wake,Dr Susanne Thurow,Prof, Dr Lawrence Wallen; ProfMaria Malvina Borgherini,Mr Kip Williams,Mr Michael Scott-Mitchell. ($542,916)
2017. Australian Research Council Linkage Infrastructure, Equipment and Facilities. AusStage Phase 6: Researching Australian Live Performance: Venues, Visualisation, and Internationalisation.CIs: Prof Julian Meyrick, Prof Joanne Tompkins, Prof Rachel Fensham, A/Prof Maryrose Casey, Dr Glenn D'Cruz, Dr Gillian Arrighi, Dr Jonathan Marshall, Prof John O'Toole, Dr Bree Hadley, A/Prof Ian Maxwell, Dr Caroline Wake, Prof Peta Tait, Dr Margaret Hamilton, Ms Janine Barrand. ($465,000)
2016-18. Australian Research Council Discovery Project.Power and Performance: Revaluing Theatre in the 21st Century.CIs: Prof Helena Grehan, Prof Edward Scheer, Dr Eddie Paterson, Dr Caroline Wake. PIs: Prof Peter Eckersall, Prof Janelle Reinelt. ($137,455)
2015-17. Australian Research Council Discovery Early Career Researcher Award (DECRA) Fellowship 2015.Restoring the Contemporary: Remembering Live Art at The Performance Space. CI: Dr Caroline Wake($327,849)
Internal Grants
2020. UNSW Transitional Fellowship($33,680)
2018. UNSW Research Infrastructure Scheme. 3D Virtual Prototyping System. CIs:Prof Dennis Del Favero (iCinema, EPICentre, Art & Design), A/Prof Tomaz Bednarz (EPICentre, Art & Design), Dr Stephen Loo (Art & Design), Dr Grant Stevens (Art & Design), Dr Caroline Lenette (Arts & Social Sciences), Dr Caroline Wake (Arts & Social Sciences), Dr Steven Most (Arts & Social Sciences), A/Prof Hoon Han (Built Environment), Prof Andreas Ortmann (Business), A/Prof Vinayak Dixit (rCITI, Engineering), Prof Maurice Pagnucco (iCinema, Engineering), Prof Claude Sammut (iCinema, Engineering), Prof Travis Waller (rCITI, Engineering), Dr Carol Oliver (Science), Prof Martin Van Kranendonk (Science). ($126,888)
2012-14.UNSW Centre for Modernism Studies in Australia Postdoctoral Research Fellow.The Accidenting of Aesthetics. CI: Dr Caroline Wake ($242,848)
Caroline's research has been recognised via the following nominations and awards:
- 2020. Highly commended for the Australasian Drama Studies Association'sfor excellencein English-language articles anywhere in the world in the broad field of drama, theatre and performance studies. The article was"," Performance Research24.8 (2019): 20-30. The judges' comments are available .
- 2019. Nominated, with Emma Cox, for the Theatre and Performance Research Association's (TaPRA) Research Prize for Editing (Essay Collections and Special Issues)
- 2014. Winner of the Australasian Drama Studies Association'sfor excellencein English-language articles anywhere in the world in the broad field of drama, theatre and performance studies. The article was"." Text & Performance Quarterly 33.4 (2013): 326-343. The judges' comments are available .
- 2006. Winner of the Australasian Drama Studies Association's for Best Postgraduate Paper at an ADSA conference. The paper was "Neither Here Nor There: The Laramie Project in Australia."
Board Member
PSi (Performance Studies international) Awards Officer (2016-)
PACT Centre for Emerging Artists (Chair 2019-, Member 2017-18)
Member
ADSA (Australasian Association for Theatre, Drama, and Performance Studies)
ASTR (American Society for Theater Research)
ATHE (Association for Theatre in Higher Education)
FIRT (International Federation for Theatre Research)
MLA (Modern Language Association)
My Research Supervision
Current PhDs
- Ruth Horsfall,Stateless Play: Impact of Theatre Participation on Young Women with Refugee Backgrounds(joint with A/Prof Caroline Lenette)
- Frieda Lee,New Play Development and Production in Australia: Pathways Forward (primary)
- Hannah Ray,Resisting Closure: Tragic Experience and Participatory Dramain Contemporary Theatre and Performance after 9/11 (secondary with Dr Meg Mumford)
- Beanie Ridler,Co-authoring Playtext with Community: A Co-Design Approach to Community-Engaged Theatre of the Real (joint with Dr Meg Mumford)
- Mitchell Whitehead,Frontiers of Spectatorship: Performance and Settler Colonialism in Contemporary Australia (primary)
Completed PhDs
- 2023.Nicola Joseph,Diversity, Racism and the Australian Media (joint with A/Prof Tanja Dreher and Dr Andrew Brooks)
- 2023. Luke Robinson,The Disappearing Faces of 1940s Hollywood Gothic Cinema(secondary with Dr Jodi Brooks)
- 2022. Anita Hallewas, Theatre in Refugee Camps: In Search of Sustainable and Ethical Practice (secondary with Prof Michael Balfour)
Current Masters
- Billy Kanafani, Category Is: An Ethnographic Study of Ballroom Culture in Sydney (secondary with Bryoni Trezise)
Completed Honours
- 2021. Brittany Turner,Immersive Theatre and the Senses: An Investigation into How Immersive Theatre Can Activate the Human Senses in Covid-19 Isolation (with Dr Theron Schmidt, theatre and performance, practice-based)
- 2020.Jo Bradley, Women Artistic Directors in Australia, 2000-2020 (theatre and performance, thesis)
- 2018. Kelly-Ann Standley, Frizz and Shades: Frizzy and the Performativity of Racial Ambivalence Online, On Stage, and In Life (theatre and performance, practice-based)
- 2017. Naomi Hamer, Sites of (Con)tension: High Vis Activism in Mandatory/Monument(theatre and performance, practice-based)
- 2017. Alicia Dulnuan-Demou, What Could Go Wrong? Politics, Ethics, and Participation inThey Call It Nutbush(theatre and performance, practice-based)
- 2016. Mitchell Whitehead, Male Actions, Tackle Bag: Using Performance Art to Critique the Quotidian Performance of Masculinity (theatre and performance, practice-based)
- 2015. Riana Tatana, "Monday's Child Is Fair of Face": Performing the Fluidity of Aboriginality in Contemporary Performance (with Dr Bryoni Trezise, theatre and performance, practice-based)
- 2013. Giorgia Gakas, Remediating Video Art Online: Extraction, Immobilisation, Reunification, and Augmentation (media studies, thesis)
- 2013. Alexandra Potter, "I Will Not Be Lectured": How Julia Gillard's "Misogyny Speech" Changed the Relationship Between the Media and Audience (media studies, thesis)
My Teaching
Caroline holds a Graduate Certificate in University Learning and Teaching (2017), a Masters of Education (Higher Education) (2020), and a microcredential in Developing an Indigenised Curriculum (UTS, 2023).
Caroline teaches across theatre and performance studies, including the core courseARTS2121 Theatre In Our Times. She has also taught in ARTS1120 Introduction to Theatre and Performance; ARTS1121 The Life of Performance; ARTS2120 Writing for Performance; ARTS2121 Theatre and Current Events; ARTS3124 Collaborative Making; ARTS3131 Playing Australia; and ARTS3132 Based on a True Story: Theatres of the Real.
Beyond theatre and performance studies, she has taught in media studies (ARTS2091 Mobile Cultures; ARTS2090 Publics and Publishing in Transition; and ARTS3091 Advanced Media Issues: New Media, Cultural and Social Change) as well as givenguest lectures and seminars in: ARTS3120 Studies in World Performance; ARTS3289 Documentary Film and History; ARTS4100 Research Methods and Thesis Writing; and ARTS4201 Uses of Theory.